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There are four (maybe more) tomatos on the one plant. They're little and green and have a bunch of growing to do but they're mine all mine.

Had midterm on Wednesday with Dan. Our model didn't show up, and that was annoying. I'm so behind on homework but he's not tres concerned about that. And there's still two weeks to go in term. I could easily get it finished. I just need to settle in and do it.

Back to midterm. The same thing happened Spring term. Sort of. Then I actually looked through my drawing pad more. But looking through with Dan I was struck by how good my line drawings are (and conversely how putrid my charcoal/tonal things are).

So I am resolved. I'm going to be a bit of a rebel. I'm going to slow down. I'm going to stop trying to please him as much. I might throw out the damned vine charcoal. That stuff is just annoying. Okay, maybe I'll do a bit of a gesture with it, just to make sure I like my drawing placement. Then I'm going straight to the hard, yeah, you heard me, the hard charcoal pencil and I will do a decent sketch of the figure. I will not dither around on it, then again, I will not jump in to doing the toning right off. I will not block in the shadows so quickly. And when I have a decent sketch, I will start blocking in shadows, but I will not lose my underdrawing to it. I don't know how I'm going to do this. I wonder about using the powdered charcoal, trying to do something with that.

Trouble is, he wants us to block in the shadow mass all at once and then pull off the extra charcoal, lighten areas as needed. But making the shadow mass a single value to start with obliterates the underlying sketch and I will not get it back. And then I struggle to get the shadow values separated. The darkest dark is, most likely, going to be on the body, the cast shadow behind is going to be lighter, at least a nine to the body's ten. I'm thinking of bringing the shadow to the underdrawing's outline, using hatching, and then rubbing the hell out of it.

Have a number of different papers, some white Rives, but also some colored, as well as some Canson mi-teinte. And another gessobord. I'm going to ask if I can do my self portrait on the gessobord. I'm thinking of throwing in my first experiments with color, some gouache, or pastel, or watercolor. Can't hurt to ask.

Have started some manure tea. Yum. Also planted, finally, the last tomato plant and the eggplant. I have one little white turmeric. The other bits of rhizome did not sprout anything. We've had little bits of rain chez moi but not enough to keep the plants going, the water-loving ones anyone. I've had to water the basils and mints a couple times.

I'm going to attempt successive plantings of lettuce seeds and hope to harvest enough for the occasional small salad once in a while. Black seeded simpson is supposed to be especially successful for Florida, even further south than Gainesville.
rhiannon_black: (Default)
Quote of the day: Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more. (What lips my lips have kissed, and where, and why (Sonnet XLIII), Edna St. Vincent Millay)

Hard to believe but it's been over a month since I've posted anything here. I've meant to, just haven't gotten around to it. I'm wasting far too much time over at Facebook, playing games. Vampires, for Christ's sake. I'm playing vampires! Why? I don't know.

Art Jewelry has an article on shibuichi. Bought the issue, haven't read the article yet. Did a little web searching. Reactive Metals wants something like $4.62 a square inch for 24 gauge 25% shibuichi. Shit. I've got to get into the shibuichi business. That's some nice markup.

I've been playing with foldforming some rings and bracelets. I linefolded some copper and thought, well, it's nice but it needs something. So started linefolding some sterling to back it with. That shibuichi article got me thinking. Sterling is dull, reticulation silver is too pissy and brittle (and why foldform it anyway), brass and "bronze" are boring, brass especially. Gold is only for the big kids. Oh, but shibuichi, shibuichi would be so pretty coupled with the copper. The patina options are intriguing and--almost--endless.

But $4.62 a square inch! In what universe?

Listen for reply... )

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